Cash flow – 7 steps to check

September 6th, 2008

Managing Cash Flow is the single biggest make or break factor in small business success. Make sure you are in check with my 7 step guide to ensure you survive.

Get yourself a coffee and read on. It may be the best 5 minutes you spend today.

Get yourself a coffee and read on. It may be the best 5 minutes you spend today.

You may be turning a good profit on your products and have a great customer base but unless you get enough money in quickly enough to cover all the money going out of your business to pay for materials, stock, staff and all the other costs, you’ll sink not swim.

If you sell prints online and take money through a company like WorldPay for instance it can be a whole month before you get access to the funds in your account. Similarly if you shoot commercial images and use an invoice and statement system it can be months before you get paid too.

Cash flow management is crucial for all small businesses but especially the photographic retailer. Given the ease with which the consumer can stop or reduce spending on portraits and the current pressures on inflation and house prices, High street portrait photographers are arguably more vulnerable than some of the other photographic sectors. If any cracks do eventually appear, the pain will be felt remarkably quickly.

Here are 7 steps to keep your cash flow in check.

1. Operate a cash flow forecast system. All photographers can benefit from simple to use accounting packages like Quickbooks. These will automatically pull together the information you need, using data you’ve already entered to generate invoices or make payments to suppliers, giving you immediate access to an up-to-date cash flow forecast. You’re much more likely get round to sending invoices out promptly if creating them is an easy process, rather than a laborious handwriting job.

2. Invoice quickly. Give your clients time to arrange for funds to be transferred into your account by the due date. We take all payments for frames and albums at the order stage and not the delivery stage.

3. Encourage early payment. Do everything you can to get money in. Operate an early settlement discount scheme to reward those customers who pay you ahead of the due date.

4. Increase your deposits taken. By doubling the deposit or fee paid at the time of booking a wedding to lets say £500 from £250, a photographer who has 20 weddings in the diary can have an extra £5,000 in the bank.

5. Don’t hold stock. Order albums and products once you have received payment from the client. Use viewing systems rather than proof books for your clients. Proof books are an avoidable cost.

6. Increase invoice frequency. This one is for commercial and architectural photographers. If you are working on a long term project lasting several months for a big company, arrange to have staged payments. This is quite a reasonable request and has the added advantage of leaving you less exposed to clients going into administration or going bust.

7. Reduce your fixed costs. It sounds obvious but things like business bank charges can be avoided all together by switching banks and phone bills can be slashed by using Skype. A great resource for money saving is the www.moneysavingexpert.com website. A note of interest; this site has seen massive growth by the use of free viral marketing. Can you utilise viral marketing? Google ‘viral marketing’ to find out what the buzz is about.

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3 Comments Add your own

  • 1. Richard King  |  May 30th, 2010 at 12:03 pm

    We switched around the way we did this a few years ago, and implemented a 1/3 1/3 1/3 system

    1/3 on booking, 1/3 3 mons before, and 1/3 1 month before. The key phrase here is “booking fee” meaning non-refundable. The closer the wedding gets, the more finacially commited the customer gets. (and the harder it is for you as the photographer to re-book)

    The 1/3 1/3 1/3 system is a tremendous aid to forwards forcasting too

    There is a UK tax benefit. The fees paid dont need to be appied against tax untill the work is done (on the wedidng day) With bookings 1.5 years in advance, this can easily cover 2 tax years

  • 2. Michael McGrath  |  July 25th, 2010 at 12:43 am

    AND , there are old photographers like me who do not actually want immediate assignments , and especially not weddings !
    But I’m keeping my hand in in the present climate just in case the country goes bust and I am forced to shoot assignments if the pension goes down shit creek with everything else .

    And never fall out with us , never think you’re better than that old film Pro with his Rollei , you’re not , in twenty years , maybe ten , you might be if you have the right attitude .

    Weddings ? First learn to shhot & process film , duplicate every important shot on MF , aboiut a dozen of them in all , just one roll .
    Carry another MF loaded with B & W .

    You WILL sell from those afterwards , plus a handsomely framed 30X40 , signed , on the wall of the newly weds home .

    Now just how much business will you gain from that down through the years ???

    I don’t think that the new DigiKids on the block have thought out just what the successful merging of digital and film can do for your business .

    Huge B&W film Blow Ups of the Happy Couple ? Making a fabulous reputation !

    And judging from his film shots that I have seen here , and his life experience, perhaps the Lovegroves could consider teaching that ?

  • 3. damien  |  August 14th, 2010 at 10:37 am

    Hi Michael,

    Big 30×40 (inches) frames of wedding pictures are not what my clients want to put on their walls, thank god. Life and wedding photography has moved on. It needed to.

    Regards, Damien.

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