I shot these frames into a window with a smidgen of increased exposure to blow the background to white. Some intimate shots like these fill the Cherish album and add value to the finished product.

I love working into windows because no matter how bad the hotel wall paper or curtains are they can't spoil the windows. So this kind of shot is universal and available to all.

Get clever with levels in Photoshop and you can create cameo shots like this.

A high key beauty shot taken without the need of a background roll.

Here I pulled the background down and lit the groom with a striplight softbox on my Mobil kit. Shot on a Pentax K200D camera that I'm reviewing for Warehouse Express.

This is the last window shot of mine. Never miss the opportunity for an ahh picture.

The Hilton staircase from the lobby to the 1st floor is fantastic. Every conceivable angle was shot on the day. I took this picture on the Pentax 10mm - 17mm fish eye zoom lens.

Here is another deceptively simple pose I showed the delegates on the workshop. This was shot on the spiral staircase too.

I took this frame with the Broncolor ringflash attached to my Mobil kit.

I shot this using just one Speedlight and the ambient light that was in the corridor.

I love to shoot fluffy pictures too. This shot wat taken with natural light.

Chris Hanley shoots drama and symetry beautifully.

Never forget to shoot the back of the dress. Simple vignetting in Photoshop has added to the focus of attention.

Chris used a gold reflector to bring this shot of Hannah alive.

I love the way Chris has used the camera frame to crop this picture.

How cool is this light. A patch of sunlight gives this picture a three dimensional quality.